Laser transmission hologram installation with antique coffee pot

3 April – 18 May 2025

 

Silver Before Photography

Holograms & Daguerreotypes

by

Wenyon & Gamble

 

Private View:
Thursday April 3rd 6.30 – 8.30 pm
Tuesday April 8th 6.30 – 8.30 pm

Open Days:
Wednesday  12 – 6 pm

Finissage
Sunday May 11th  12 – 3 pm

Viewing by appointment at other times
For further information contact Jonathan Ross:
Phone 07747 807576
or jross@gallery286.com

Wenyon & Gamble, Silver on Silver 3, 2016, daguerreotype, 4″ (H) x 3″ (W)

Album: GREAT PYRAMID, STEREO, No. 1, 1864. & Double Portrait of Dear Mrs C.P.S. as the Lady of East Tombs, G Pyramid Hill 1864.” [Wooden Box of Photographic Plates Recorded by Charles Piazzi Smyth], 1994, hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass.

Susan Gamble and Michael Wenyon have collaborated since 1983. They are UNESCO Laureates, awarded in 1993, for their work with new technology.

The pair combine differing backgrounds in art and science.

Susan Gamble has degrees in Fine Art, from Goldsmiths’ College, London, and in the History of Science, from Cambridge University, while Michael Wenyon studied Physics at Bristol University and Optics at Imperial College, London.

Their works are in collections such as The Victoria & Albert Museum; the M.I.T. Collection, Boston; the National Portrait Gallery and the National Academies of Science, Washington DC, and have been exhibited internationally, including shows at the Whitney Museum of American Art, Tate Liverpool, Mito Art Tower, Japan. Their work was last exhibited in London at The Photographers Gallery in 1993.

In this show the artists muse on the photographic practice and organic material: coal and silver.

‘Silver Before Photography’ is a hologram of English silverware manufactured before the invention of photography. The hologram presents the illusion of antique spoons and ladles, resting on a table.

Holography was possibly the last analogue photographic process to use silver salts. Here the twentieth-century medium provides a window onto silver objects from an age before photography.

For this exhibit the artists have selected a nineteenth-century stereo Daguerreotype from the Jonathan Ross collection of a family grouped around a table, to allude to the domestic objects, scenes and processes that continue over time. The artists employ different media ––holograms and daguerreotypes––to reflect on the past and the sentimental lure of objects as they fade into history.